9/16/2023 0 Comments James newton howard 12 years laterAnd be prepared to be thick-skinned about your music, because it's going to be swamped with sound effects and that pesky dialog. "It's a collaborative industry-if you don't want to collaborate, you shouldn't do it. Seeing things in the film that the director never knew were there."Īny other advice on working with directors? "Be a great listener," Howard says. For me, the best thing about working on a movie is the instant gratification of putting music up against picture and immediately seeing the change. Then put that up against the picture and see what percentage of it works. That's what I always tell young composers: When you start a project, turn off the movie and just write something that feels like it's related to the picture, something that feels good. "The most important thing," he says, "is to write music without getting hung up in the beginning on the way it interacts with the picture. So I don't program as much as I used to, although I'm very facile with all the soft synths."īut despite the technological changes, Howard's fundamental approach to scoring remains the same. "The technology has made it possible for me to work about 35 times faster than in the old days! Though I learned long ago that I would be more effective as a composer if I chose what I spent my time doing. "The ease with which I can manipulate audio has become better and better," he notes. With three to five major film projects each year, Howard relies on Cubase 5 on the PC to simplify his sequencing tasks. It sounds rich, dynamic, and bright without being harsh. "It's got a very playable action, very solid and even. I've got a stack of them, because I love the feel of that keyboard."Īnother longtime companion is his 6'11" Yamaha C6 Conservatory Collection Grand. "I've always used the KX-88! I buy up every one I can find. "I used to perform at NAMM shows, and tour, and do all kinds of things on behalf of Yamaha keyboards, which I've always loved."Įven now, Howard remains a fan of Yamaha's 1980s-vintage KX88 weighted keyboard. "I've been involved with Yamaha since 1982," he says. As a young session player and producer, he helped demonstrate the capabilities of Yamaha synths such as the GS1 and DX7. In both his pop and film music, Yamaha keyboards have been a recurring theme in Howard's musical life. So it was a perfect fit for me, and I haven't stopped since." Just about every aspect of music-making is necessary in film music: working with a rhythm section, arranging an orchestra, programming synthesizers, composing. I realized I had really found my niche-I was able to bring together everything I had learned in the pop music world. "I was nervous, and very reluctant to do it," he remembers, "but in the end I just decided, why not? And it was love at first sight. Howard's first foray into film composition came in 1985, when he was asked to score the comedy Head Office, starring Judge Reinhold and Danny DeVito. After that I played in lots of rock and roll bands, finally in Elton's band, and then I did lots of sessions and arranging." "I started off as a classical musician-I was a piano performance major at USC. "It was never my intention to work in film," he says. Before writing music for movies like Pretty Woman, The Fugitive, The Sixth Sense, and I Am Legend, Howard toured and recorded as Elton John's keyboardist and orchestrator, then chalked up pop hits as a producer and songwriter with such artists as Cher, Chaka Khan, Barbra Streisand, and Earth, Wind & Fire. He's also contributed to the small screen with compositions like the Emmy-nominated main theme for the long-running series ER.ĭespite his big-picture success, film music wasn't Howard's first career choice. Howard has contributed music to more than 100 films, from romantic comedies to action thrillers to sci-fi blockbusters, earning Oscar, Grammy, and Golden Globe nominations or awards along the way. Check the credits of your favorite box-office smash from the past two decades, and there's a good chance you'll see James Newton Howard listed as composer.
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